Forbidden Hollywood: The Pre-Code Era (1930-1934): When Sin Ruled the Movies (Turner Classic Movies)

22. December 2024 Off By Pietwien


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Filled with rare images and untold stories from filmmakers, exhibitors, and moviegoers, Forbidden Hollywood is the ultimate guide to a gloriously entertaining era when a lax code of censorship let sin rule the movies.

Forbidden Hollywood is a history of “pre-Code” like none other you will eavesdrop on production conferences, read nervous telegrams from executives to censors, and hear Americans argue about “immoral” movies. You will see decisions artfully wrought, so as to fool some of the people long enough to get films into theaters. You will read what theater managers thought of such craftiness, and hear from fans as they applauded creativity or condemned crassness. You will see how these films caused a grass-roots movement to gain control of Hollywood-and why they were “forbidden” for fifty years.

The book spotlights the twenty-two films that led to the strict new Code of 1934, including Red-Headed Woman, Call Her Savage, and She Done Him Wrong. You’ll see Paul Muni shoot a path to power in the original Scarface; Barbara Stanwyck climb the corporate ladder on her own terms in Baby Face; and misfits seek revenge in Freaks.

More than 200 newly restored (and some never-before-published) photographs illustrate pivotal moments in the careers of Clara Bow, Joan Crawford, Norma Shearer, and Greta Garbo; and the pre-Code stardom of Claudette Colbert, Cary Grant, Marlene Dietrich, James Cagney, and Mae West. This is the definitive portrait of an unforgettable era in filmmaking.

Publisher ‏ : ‎ Running Press Adult; Illustrated edition (April 2, 2019)
Language ‏ : ‎ English
Hardcover ‏ : ‎ 256 pages
ISBN-10 ‏ : ‎ 0762466774
ISBN-13 ‏ : ‎ 978-0762466771
Item Weight ‏ : ‎ 3.04 pounds
Dimensions ‏ : ‎ 8.5 x 1.38 x 10.38 inches

Customers say

Customers find the book engaging and well-researched. They appreciate the great photographs and consider it a good introduction to pre-code Hollywood films. However, opinions differ on the writing style – some find it thoughtful and well-researching, while others feel it’s choppy or stiff.

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